Category: Transformative Art

  • Cosmic Rodeo Chronicles: Introducing Eat My Cake Records, Jade Ann Byrne & DJ Wet Cup Cake

    Cosmic Rodeo Chronicles: Introducing Eat My Cake Records, Jade Ann Byrne & DJ Wet Cup Cake


    Cosmic Rodeo Chronicles: Introducing Eat My Cake Records, Jade Ann Byrne & DJ Wet Cup Cake

    Los Angeles sunsets don’t just fall — they melt.

    Out past Beverly Hills, past the neon carwashes and desert billboards, past the checkpoint lights and spinning rotors of StarNine, there’s a corridor of sky where the California sound refuses to sit still.
    That’s where Eat My Cake Records lives.

    I built this label for that exact strip of atmosphere — where Bakersfield twang crashes into 808s, where Palm Springs mirages hum like synths, where Diamond Valley water reflects UFO pink, and where an eGirl dairy farmer from a tiny town gets to be a cosmic headliner instead of a ghost in someone else’s credits.

    This is the official introduction:

    Jade Ann Byrne × DJ Wet Cup Cake × Eat My Cake Records.
    One universe. No brakes.


    Who Is Jade Ann Byrne in This Story?

    I’m the one in the hat.

    Raised on hoofbeats, hymnals, and dial-up, split between dairy barns and dim basements packed with consoles and patch cables. Horse girl, farm girl, church kid, chatroom mod, barista, bottle service, disaster response, MMO healer, cam pioneer, Paladin of lost causes — all of it walks into the booth with me.

    My arsenal is simple and loyal:

    • A road-scarred Yamaha Pacifica that still smells like cheap venues and better nights.
    • A faithful Casio keyboard that’s written more 3 AM hooks than most writing camps.
    • A mariachi-adjacent acoustic that knows every sad joke the valley ever told.
    • A head tuned permanently to California s o u n d : Bakersfield steel, Riverside static, late-night dedications, border bleed, motel neon, parking lot reverb.

    I write like I’m driving east of Eden with the windows down — one hand on the wheel, one hand on a bruised heart — talking to every girl who’s ever been almost loved, and every boy who never learned how to apologize without a backing track.


    Who Is DJ Wet Cup Cake?

    Every outlaw Paladin needs a chaos engineer.

    DJ Wet Cup Cake is the producer and sonic architect of Eat My Cake Records — the one stitching:

    • Ocean Grown West Coast low-end
    • Glittering trap hi-hats
    • VHS synth pads and arcade FX
    • Steel guitar ghosts and porch reverb
    • Sirens, aircraft, checkpoints, rotor wash, rooftop echoes

    into records that feel like speeding past a Riverside County Sheriff cruiser at golden hour: fully licensed, spiritually indicted.

    She’s the one who can take a soft confession and turn it stadium-sized without losing the cigarette ash, the mascara streak, or the screenshot receipts.

    When you see his name on a record, expect cinematic basslines, surgical drums, and zero apology.


    What Is Eat My Cake Records?

    Eat My Cake Records is our house — and our dare.

    An independent label built for:

    • Space Country Trap
    • Road trip ballads with sub-bass
    • Neon rodeo anthems
    • Late-night streamer loops
    • Songs that live between club, chapel, truck stop, and Twitch chat

    This is creator-owned armor, not a vanity stamp.

    • No one dilutes the story.
    • No one censors the farm girl turned eGirl turned label head.
    • No one tells California what genre she’s allowed to be.

    Our job is to press play on the lives people underestimate:
    Cowgirls with court dates. DJs with day jobs. Girls at checkpoints reading badge numbers out loud. Kids in the Diamond Valley staring at the sky, waiting for proof they’re not crazy for dreaming past the strip mall.


    The Visual: The Cosmic Rodeo Banner

    The ultra-wide artwork — neon desert, synthwave grid, Jade in her hat, Wet Cup Cake in orbit — is the mission statement.

    On the left, Jade Ann Byrne: space cowgirl, hat tipped, dead sure.
    On the right, DJ Wet Cup Cake: headphones on, laughing mid-mix, the sound engineer of your next bad decision.

    Across the horizon:

    • EAT MY CAKE RECORDS blazing in chrome-fuchsia.
    • JADE ANN BYRNE × DJ WET CUP CAKE glowing beneath.
    • COSMIC RODEO CHRONICLES stamped like a badge of honor.

    Threaded through the scene:

    • A tiny sheriff star constellation and a STAR NINE helicopter silhouette.
    • Micro neon icons along the grid: horse, guitar, cassette, palm tree, radio tower, haloed dairy cow.
    • Ghosted hints of Palm Springs windmills, Bakersfield oil jacks, and a Diamond Valley reflection.

    Not a map. A myth. One glance and you know:
    This is the Eat My Cake Records universe.


    What To Expect Next

    From Eat My Cake Records, expect:

    • Double singles & A/B sides that tell both sides of the story.
    • Space Country Trap experiments that still hit like pop when the chorus lands.
    • Live streams, DJ sets, behind-the-scenes from studios, barns, rooftops, and desert pull-offs.
    • Collabs with artists who understand that California isn’t a genre; it’s a multiverse.

    If you are:

    • a music supervisor hunting for something actually new,
    • a brand that understands grit, neon, and consent,
    • an artist who absolutely refuses to shrink,

    then congratulations — you’ve found your bar.


    Enter the Cosmic Rodeo 🎂

    Listen, follow, and ride with us:

    • Instagram: @EatMyCakeRecords
    • X / Twitter: @EatMyCakeRec
    • YouTube: Eat My Cake Records
    • SoundCloud / Spotify / Apple Music: Jade Ann Byrne, DJ Wet Cup Cake
    • Official Hub: jadeannbyrne.egirl4rent.com/EatMyCakeRecordz/

    Business / sync / press:
    📧 [email protected]
    📞 +1 (424) 249-9846

    The label is live. The horses are saddled. The lights are painfully pink.


    Welcome to Eat My Cake Records — where the Paladin gets the aux cord, the sheriff gets a verse, and nobody leaves without a song stuck in their head.

    “Cosmic Rodeo Chronicles” is live. 🎂
    Eat My Cake Records officially unveils the universe of Jade Ann Byrne, neon cowgirl of the Diamond Valley, and DJ Wet Cup Cake, architect of the California Ocean Grown West Coast Sound. Space Country Trap, desert sunsets, checkpoints, helicopters, heartbreak — all in one cinematic label launch.
    🔗 jadeannbyrne.egirl4rent.com/EatMyCakeRecordz/

  • Happy HalloQueen — a Jade Ann Byrne Reboot

    Happy HalloQueen — a Jade Ann Byrne Reboot

    Halloween is my high holy day of reinvention, so I cracked open the vault and rolled a reboot: Happy HalloQueen. It lives where arcade posters, sticker-book glam, and paladin steel kiss under a blacklight. The point isn’t cosplay; it’s claiming the stage—turning familiar shapes into my canon.

    The composition is loud on purpose: thicc comic lines, brutalist bubbles, brat-green sprinkles, and a violet armor sheen that says pretty is a weapon. The background hums neon pink like a stage light—you can feel the subwoofer.

    Who you’re seeing (left → right, center first)

    Jade Ann Byrne // The Pumpkin Paladin Me in violet plate, jack-o-lantern helm tilted like a crown, one gauntlet up to pull the universe through. This is the moment I stop asking for permission. She/her.

    Lavender Herbster // The White-Mage Druid Silk gown, moon-petal hair, hands mid-blessing. She keeps the raid alive and the crowd soft. The sweet after the smack.

    Paladin Viola // Night-Wing Jadette V-cut emerald bodice, mischievous grin, bat-wings ready for dive-bomb resurrections. Chaos with manners.

    Momo Hex // Trickster Simian My prankster familiar peeking from a portal, pockets full of jelly beans and bad ideas. If something explodes into confetti, it was him.

    The Boo-Boo Sprites Neon ghost chorus—cute, hungry, harmless until you are unkind. They eat rudeness like popcorn.

    The Batlings & Heartbits Pixel-snack familiars fluttering across the frame—little metabolism of love and trouble.

    Sugar Pipes (Dream Portals) Not sewers—stage doors. They’re how performers warp between scenes. Every pipe is a promise: another entrance exists.

    Why “HalloQueen”

    Because October belongs to girls who build empires out of eyeliner and kindness. Because I like my pun to wear heels. And because this is a coronation—I’m crowning every working-class showgirl, gamer, and glitter-mechanic who keeps going.

    Transformative Art, On Purpose

    This piece is an homage and a remix—commentary, not copy. It uses new forms to talk to old memories, turning public iconography into Jade canon. It’s fair-use-minded, wholly re-illustrated, and steeped in my color language (neon pink, brat green, halo gold, mint). The Jadettes aren’t guests in someone else’s castle—we own the stage we stand on.

    Credits

    Art direction & universe: Jade Ann Byrne

    Illustration: Jade Ann Byrne Universe (in-house)

    Lore cast: The Jadettes (Lavender Herbster, Paladin Viola), Momo Hex, Boo-Boo Sprites, Batlings

    Image Caption

    “Happy HalloQueen” (2025) — Jade Ann Byrne Universe. The Pumpkin Paladin, Lavender Herbster, Paladin Viola, Momo Hex, Boo-Boo Sprites, Batlings, and Heartbits leap through Sugar Pipes under a neon-pink sky.

    Alt text: Retro-style neon poster: center—girl in violet armor with a jack-o-lantern helmet raises a fist from a purple portal. Left—lavender-haired gown-clad mage; right—violet bat-winged Jadette. Cute ghosts, tiny bats, and a cartoon monkey familiar pop from portals. Big headline reads “HAPPY HALLOQUEEN.”